Artist Profile: Marcus

"Daykeeper," oil on canvas, 30x 40

"25th Hour," oil on canvas, 24x84

The Bay Area oil painter Marcus, fuses realism, abstract art and surrealism, culminating into beautifully striking images.  He is a self-taught artist who has previously lived in Manila and N.J.  His experiences being raised in places worlds apart, as well as being the father of two, has defined who he is as an artist.

His more recent pieces convey sorrow and pain, but at the same time depict beauty as a metaphor for hope.  This message radiates in his paintings and inspires viewers.  “Painting has saved my life.  I paint not for the sake of being self-absorbed or indulgent, but to inspire.  It’s this optimism that I want to share with viewers.  To face pain and despair, while seeing the beauty in things, situations, life.  And to let it resonate.  We are merely tools, and the artist is nothing more than a medium.  Whats essential is the language that my paintings speak.   And to imagine it speaking to viewers, I feel like it has served its purpose.”

"Transient," oil on canvas, 24x36

"Razorblade Reverie," oil on canvas 48x60

His pieces are very emotion driven, and he shares “I see that emotions are universal to man. It transcends boundaries, and gives us a sense of commonality no matter where we are in the world.   That’s why we can all relate to art.  And that’s what I strive for my work to be – for it to speak to you regardless whether you’re in a village in The Philippines or a collector in SOHO or Chelsea.  The language communicated is the same, and that’s beautiful.”

He has had numerous shows and has works displayed in NY, Jersey City and SF.  His most recent was as part of a group show at 111 Minna Gallery.  You can see his works and contact him at:

website:  www.marcusart.webs.com

email: marcusart@live.com

on Blue Canvas: www.bluecanvas.com/marcusart/

Artist Profile: Amber Young

Amber young is a talented San Francisco based artist with a strong background in Fashion and Graphic Design. She comes from the small, most-likely-unheard-of town called Salina in Kansas, and her style reflects small town values in its simplicity and dream-like look. Behind this soft, dewy exterior however lies a personal level of excellence that will capture your imagination. Her brand “The Blue Canary” does design and custom art commissions. She is currently in the process of opening an online-store that sells hand-made crafts such as magnets, stickers, bookmarks and more. She also holds great interest in writing fiction and is in the process of writing a novel as well as a children’s book which she will write and illustrate herself.
She studies graphic design and writing at the Academy of Art University but already her skill and talent can be seen in her simple but eye-catching designs which can be seen on her website as well as in the painting, sketches and digital artwork she produces. She is a popular contributing artist on DeviantArt and is working constantly on new pieces and projects.

Check out her website: http://www.thebluecanary.com
Follow her on Twitter: http://twitter.com/BlueCanarySings

Images are property of Amber Young.
Any unauthorized use is strictly forbidden.
Copyright 2009 / 2010

Robert Schultze is a Photographer and Writer in the San Francisco area. You can view his portfolio at www.RobertSchultze.net and read his blog at http://somephotographer.wordpress.com
You can see more contributions from Robert Schultze, along with a short bio, here.

Music in the Streets

Saddle Stitch Magazine staff writer Robert Schultze has been working on a documentary called Music in the Streets.  Check out the trailer below.

The documentary should be completed by the end of the month. The full video will be posted here for everyone, and you can view other video work by Robert HERE.

Robert Schultze is a Photographer and Writer in the San Francisco area. You can view his portfolio at www.RobertSchultze.net and read his blog at http://somephotographer.wordpress.com

You can see more contributions from Robert Schultze, along with a short bio, here.

DECADENT (Chris Ritson)

Art In Person

Saddle Stitch Magazine checks out a new event, First Thursdays,100109_007 going on in San Francisco.

Article and Photography by Robert Schultze

On the first Thursday of every month, down the secluded little side street known as Maiden Lane, there is an event going on that is anything but tiny. “First Thursday” is a celebration of local artists both established and unknown, and the party is happening at the one and only Otis Lounge. Inside this unassuming, aptly named lounge, you will find a small bar surrounded by couches instead of stools, and a second floor with a more formal setting with tables and chairs.

Tonight the place is packed with crowds gathering around a live painting outside by Dan Plasma, conversations with comic illustrator Sean Ward, and a photo-studio with a portrait sign up sheet with fashion photographer Del Geronimo.

The event is run by Owen Geronimo, who hopes that the event will become a go-to media resource and marketing consultancy for the local arts community both online and print. Owen runs several other galleries including Artillery in The Mission and the Space Gallery on Polk Street. “We have our own art renaissance per say, from visuals, photography, fine art and fashion.” And all three of these mediums certainly were implemented tonight. Paintings and framed photos littered the walls, and Del Geronimo would pluck random people from the crowd as portrait subjects. The event seems to be doing exactly what Owen hoped it would; people who were invited showed up dressed in business casual attire, and random passers-by wandered over lured in by the smell of the grill and the friendly chatter and music.

100109_001(2)Art is the primary conversation piece, and the featured artists were the stars of the show. You can feel the energy from Dan Plasma as he creates on the wall in swoops and arcs of his arm, spray paint in hand. Even when he is not painting his contemplation on where to take the piece next oozes with fierce passion and creativity, and the piece evolves throughout the evening as he adds to it bit by bit. Sean Ward charms people by the crowd as they try and pass by but are drawn in by his wit and energy as he explains how his comics are bridging the gap from comic books to fine art galleries. And Del Geronimo props his random models to suit his project as the crowd observes this unusual form of performance art.

The evening was a success for all I would say, the crowds got the pleasure of being exposed to these local talents and the artists received the exposure they crave. As for me, I walked away with new friends and a signed print from Sean Ward as a birthday gift for a friend. She benefited from it as well, and she wasn’t even there. You can find all the information about “First Thursday” as well as “Second Thursday” in The Mission at www.OwenGeronimo.com.

www.SeanWardSuperParty.com
www.DelGeronimo.com
www.DanPlasma.com

Robert Schultze is a Photographer and Writer in the San Francisco area. You can view his portfolio at www.RobertSchultze.net and read his blog at http://somephotographer.wordpress.com

You can see more contributions from Robert Schultze, along with a short bio, here.

Wonderland Show in the Tenderloin

Today marks the opening of a massive art exhibition in San Francisco’s Tenderloin.  The show is composed of 16 projects, the work of a combined 78 artists, and has been months in the making.

Under the guidance of respected curator Lance Fung, the artists and volunteers have put something truly important together.  The project started with seven art students and a desire to create and oversee a widespread community exhibition, to shine the spotlight on what can be produced by and in one of the city’s most diverse, and often stigmatized, neighborhoods.  In the words of Fung, they wanted to “explore the Tenderloin, with Wonderland being the vehicle.”

This is the kind of event that Saddle Stitch supports totally, and we would love it if our readers made their way out to see what these artists have produced.  The show started at noon today and will go on until the 15th of November.

For more information, visit their website.

http://www.wonderlandshow.org

We’ll be covering the show with a more in depth article, and possible a couple of interviews, in our next print issue.

Get out there, people.

Saddle Stitch

Taking Submissions for The Second Round

Now that we have the new website up, and things seem to be running well, we’re ready to get to work on a second issue.  Submissions can be damn near anything, but just remember that we print in black and white. Check out the Submissions section for more information.

We will be taking submissions until we don’t feel like it anymore.  Enjoy your Friday.

-Saddle Stitch

Issue One Available to Download

Well, the first issue of the magazinezine seems to have gone over well.  After five days of distribution for the first issue, we are damn near out of copies.  We were going to do something clever like post a list of all of the businesses carrying the zine.  Then we realized that sending our readers out all over town just to find out that the copies are out of stock is a sure way to get throttled.   Also, poverty dictates that, at least for now, we can’t print many more, so one of us decided to have something like a thought:  Why not put the PDF up online to download and print?

So we did.

The first issue is now available in booklet form in the Print an Issue section.  No more hunting.  Tell all your friends.

Print Media V.S. The Zombies

By Chris Teare

In 1997, when Time Magazine picked Johannes Guttenberg’s printing press as the most important invention of the second millenium AD, it wasn’t just a nod towards the magazine’s progenitor, but rather homage paid to a machine that made free thought truly free.  That being said, coming in a close second to the printing press is the internet.  If the printing press made the diffusion of information and ideas quick and inexpensive, the internet made such content omnipresent.  Up until the advent of the internet, seeking out specific information had been a process, while now one would have to make a conscious effort to remove oneself from the constant barrage of immediately available electronic media content.  Wherever we go we find ourselves pursued by games to play, videos to watch, friends to add, and apps to use.  In fact, it would not be so ostentatious to claim that the current mediums of electronic communication are very much like zombies.

Yes, zombies.  Wireless and other electronic sources of information are in a constant state of growth as consumers increasingly seek faster, easier, and cheaper ways to read news, communicate ideas, and entertain one another.  In many ways, these new mediums of communication are quite useful.  Craigslist and Ebay have both effectively created a central location for any need that would have previously been fragmented through a hodgepodge of local or national newspapers and magazines.  Websites for businesses, schools, and public services can answer a variety of questions efficiently and at a moment’s notice.  That is to say that electronic media can be a convenient suppliment, but it should not by any means stand alone.  Now, every major newspaper and magazine now has an online portal, and many of these publications are expanding their online content as more and more readers shy away from purchasing hardcopy and advertisers pull out from hardcopy sponsorships. Entire books are now downloaded onto Amazon’s “Kindle” e-book.  Everyday new websites appear offering services that previously necessitated the use of printed media.  Furthermore, the proliferation of the smart phone has given birth to the app, making it possible to access news, music, and other media anytime and from anywhere you can make a phone call from.  The spread of new communication technologies is in epidemic proportions.

Much the same are zombies.  Constantly expanding their population by biting humans, where people are balanced, rational, and coherent, zombies care nothing for the content of life, only about their growth in numbers.  Where a publication may have once provided a wealth of information in hard print, the bite of declining profits dictates a new way of life.  The nature of this new life is also part of the issue at hand.  The speed and abundace of electronic media render critical thought and rumination hard to come by.  There is always something new to consume which leaves little time for the gentle contemplation needed to really understand all aspects of a given matter.  In addition, the influx of demand for immediately consumable content has led to a major loss of intellectual sophistication of said content.  Hard-hitting journalism is much a thing of the past and is being replaced by a style rife with opinion and personal accounts.  Popular music and video entertainment continue to lose artistic complexity due to an apathetic consumer base and the increase in user generated content.  In essence, the forms of electronic media are becoming increasingly mindless.

Now, one can’t discuss the proverbial changing of the guard without the idea of the “soul” coming into the mix.  For example, classic blues or rock or jazz have soul.  Classic and single speed bikes have more soul than the multi-speed perfomance bikes of today.  Classic cars have more soul than the cheaply assembled models currently on the road.  These are very familiar statements, and are such only because there is a grain of truth in the argument, somewhere.  The idea of these things being more soulful by nature stems from them feeling more solid or organic or having more thought put into the creation process in some way, which in essence are all qualities related to an object’s sense of permanence.  That is precisely what gives an object its soul: permanence.  A thoughtful and laborious creation process using simple and solid materials (or ideas) ensures a long lasting and useful final product that will, over its lifetime, connect with many owners and mean something different to each one.  A book can be dog-eared, written in, traded, sold, or rest on a bookshelf for years.  A newspaper can block the rain or sun, be folded, have a crossword filled out, and eventually clean up your dog’s shit.  The soulless quality of the quickly produced good comes from the lack of its ability to connect with a person.  Its ephemeral nature prevents these bonds from forming because it wasn’t meant to be bonded with.  It is meant to be consumed and then discarded.  Though a piece of news or music or art in itself can have meaning, when presented through such media it cannot have the same resonance with a person as it would being presented through a more substantial means.

That leaves hordes of laptops, phones, and music players switched on day and night, blank screens waiting with supernatural patience for a face to appear in front of them.  There they are on the bus, sitting in a pocket or a purse, these soulless devices waiting to be pulled out and used as soon as the bus stops.  They are sitting on the counter in the middle of the night, so that when you walk down the street and pass by each window, you can see the faint static glow of a screen waiting, just waiting.  Before you know it your toilet paper will go digital.  Print media, however, can’t and won’t submit to the demands of the masses of mindless and soulless media zombies.  There must be a place, a haven if you will, for local and thoughtful media content to have it’s say in print.  A place for the soft fluttering sound of the pages turning.  A place for the thick black ink to sink in like blood and take root and make its home.  That’s what we’re here for.  We vow to hold out, to fortify ourselves against the mob of brain eating, uncoordinated parasites to give you quality content and still make it to bed sometime before dawn.

DIY 8/8/2009

by Allison Sparrow

Earring HoldersThis is the first installment of my DIY column for Saddle Stitch Magazine.  I started projects making useful, creative things out of found or cheaply purchased objects because I thought it would make more personal gifts for friends and family.  I’ve also had a long time infatuation with finding something, a chair or table or strip of fabric, on the street or in a thrift store and transforming it into something completely different, new, and uniquely my own.

Up until recently my earrings were scattered around my apartment, and I was rarely ever able to put together a set.  Luckily, the Madonna, one earring look kind of goes with my aesthetic.  However, I do like to be able to put together a set of earrings every once in a while.  So, I decided to make an earring holder.  This is a super simple project with very little cost involved.  The materials needed are as follows:

-embroidery hoop
-paint (acrylic or spray paint)
-paint brush if using acrylics (most paint brushes will do, but you probably want to have a fairly small tip)
-clear coat or mod podge (this is optional)
-wire mesh or cute fabric
-sand paper (350-400 grit)

First, sand the two separate rings of the embroidery hoop with the fine grit sandpaper.  This helps get the burs off of the raw wood and readies the surface for painting.

Next, paint the embroidery hoop.  Be sure to take apart the two pieces and paint them separately. I had to do two coats to get a solid color on both sides.  After the paint dries, put a couple coats of crystal clear over the paint.  This is not necessary, but I like the look of the gloss coat over the paint.

After that, cut your fabric or mesh wire slightly larger than the embroidery hoop on every side.  Stretch the material or mesh taught between the two pieces and connect the hoops.  Screw the top in place.  Hang your new earring holder on the wall and admire your work.

These little guys are inexpensive and easy to make in sets.  If you are going to make one, you might as well make a few and give them away as gifts.  I hope you enjoy the project.